In Pria Goaea Filippo Gambetta displays considerable technique, fluid phrasing and deep feeling
G. CHAPMAN – THE TORONTO STAR (CANADA)

After Stria, this album confirms that the accordionist Filippo Gambetta can be considered a rising star of the ethnofolk scene. Every track of Pria Goaea have its own colour. Filippo Gambetta is a complete musician.
PAUL BARNEN – MONDOMIX PAPIER (FRANCE)

L'astro nascente dell'organetto diatonico. Filippo Gambetta esce con un album di una fattura più concettuale del precedente Stria. Dove la composizione appare molto più importante della sola voglia di suonare e di far festa. Il tutto è sicuramente dosato.
JEAN BEAUCHESNE – LE JOURNAL DE QUEBEC/WEEK END (Canada)

There's no disputing the musician's skill – the most spiritely passages display some dazzing fingerwork - but he also plays at an emotional level past his years, wrining surprisig depth out of his instrument
JILL WILSON – UPTOWN MAGAZINE (CANADA)

Filippo Gambetta uses folk as a tool in his own compositions. His melodeon playing is crisp and the music full of interesting rhythmic, harmonic and textural ideas.
MICHAEL HINGSTON – FOLK ROOTS (UK)